Equipment rental is the primary scope. Personnel, vehicles, handover, delivery and bilingual coordination may be requested and are confirmed separately in writing for each project.
Separate interview, workplace, product, exterior and movement shots before assigning camera bodies and lens roles. Delivery resolution, frame rate and aspect ratios shape monitoring and recording choices. Any personnel, vehicle, handoff, delivery or bilingual coordination is confirmed separately in writing for the project.
Portrait lighting must respect faces and working offices, while products may need reflection control, repeatable focus and more precise shaping. Plan both before the shooting day.
Power, cases, movement, client monitoring, media and backup should fit the actual access and schedule. Equipment, availability, handoff, rates and responsibilities are confirmed in writing for the project.
Every production must comply with applicable laws, location permits, access rules and written project terms.
Direct answer
A corporate promotional film package should follow the script, shot list, people, products, locations and delivery specifications. Send the city, dates, brief, reference film and location constraints so camera, lens, lighting, sound, movement, monitoring, power and media can be checked as one production chain.
Send the production city, dates, equipment models or production purpose, quantities, accessories and pickup or delivery needs. Current availability and the final package are confirmed in writing.
No. The pages help build a request list. Model, version, quantity and availability are confirmed for the requested city and dates.
Yes. Share the camera positions, visual approach, audio needs and deliverables so the request can be checked as one production package.
