Equipment rental is the primary scope. Personnel, vehicles, handover, delivery and bilingual coordination may be requested and are confirmed separately in writing for each project.
Agency and brand stakeholders often judge the day through monitors. Plan director and client viewing with color trust and readable graphics. Pair cinema or full-frame bodies with lenses that hold skin tone and product highlights, then invest in fixtures that give you repeatable keys—LED panels, HMI/tungsten where appropriate, and Aputure-class output when you need modern, efficient hard light.
Commercial schedules punish missed tabletop beats and late hero inserts. Build testing time for specular control and focus mapping. If you stack multiple setups in one day, standardize media naming and wireless video failover so approvals do not stall when RF gets crowded.
Pickup, delivery, transfers, returns, and commercial terms are confirmed in writing for each project.
Every production must comply with applicable laws, location permits, access rules and written project terms.
Direct answer
Commercial and advertising shoots usually need the camera, lens, lighting, movement, monitoring and media chain planned together. Send the city, dates, shot list, location constraints and deliverables; Zhanru will check the equipment package and current availability in writing.
Send the production city, dates, equipment models or production purpose, quantities, accessories and pickup or delivery needs. Current availability and the final package are confirmed in writing.
No. The pages help build a request list. Model, version, quantity and availability are confirmed for the requested city and dates.
Yes. Share the camera positions, visual approach, audio needs and deliverables so the request can be checked as one production package.
