Lock the stage and camera positions first
Confirm stage dimensions, speaker movement, screen type, audience distance and access restrictions before assigning wide, speaker and reaction positions. Long-lens needs follow the actual working distance.
Equipment rental is the primary scope. Personnel, vehicles, handover, delivery and bilingual coordination may be requested and are confirmed separately in writing for each project.
Confirm stage dimensions, speaker movement, screen type, audience distance and access restrictions before assigning wide, speaker and reaction positions. Long-lens needs follow the actual working distance.
Check the sound-desk output, connector, level and timing while keeping an independent ambience or backup path. Test LED screens or projectors with the final camera frame rate and exposure.
Calculate power, media, file naming and backup from the programme duration and delivery deadline. Equipment, availability, handoff, rates and responsibilities are confirmed in writing for the project.
Every production must comply with applicable laws, location permits, access rules and written project terms.
Direct answer
Conference and event recording should be planned around the agenda, stage, speakers, screens, audience distance, sound-desk feeds, continuous recording time and delivery deadline. Send the city, dates, venue plan and programme so camera positions, long lenses, audio, power, media and backup can be checked together.
Send the production city, dates, equipment models or production purpose, quantities, accessories and pickup or delivery needs. Current availability and the final package are confirmed in writing.
No. The pages help build a request list. Model, version, quantity and availability are confirmed for the requested city and dates.
Yes. Share the camera positions, visual approach, audio needs and deliverables so the request can be checked as one production package.